Artrooms Artist – Simone Rosti

The Palette Pages is thrilled to introduce the art and interview by Art-Rooms selected artist Simone Rosti

Self taught or art school?

Self taught

If you could own one work of art what would it be?

An artwork of Maurizio Cattelan, it’s not important which one.

How would you describe your style?

I think to be a “not” photographer in the usual sense of the term, but an artist who uses the photography as a painter uses a brush or as a writer uses the word. Essentially, I think I am a conceptual artist who uses photography.

It was not easy to make others understand my art. Sometimes I have been considered as questionable technical photographer. Sometimes a photographer monothematic …The truth is that I do not care about the result and aesthetics of my work. I simply capture fragments of reality and I emphasize them up to the state of mind where I am. The results are my artworks with their imperfections, their misunderstandings, their incompleteness: our life. I never conceived shooting as a technical exercise where everything was balanced in search of perfection. Simply it was not my purpose. Conversely I found in imperfection and movement the key to my expression.

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Artrooms – Chris Horner

Over the next few weeks The Palette Pages will be featuring interviews with artists selected for Artrooms.  Set within the elegance and glamour of the Meliá White House, ARTROOMS is an interactive showcase of today’s most thought-provoking, mind-bending and awe-inspiring artists, carefully selected from across the globe by a panel of leading industry experts, art critics and buyers. Selected artists are invited to exhibit for free. This is London’s unique opportunity to come and scout art news and trends from all over the world.

We are delighted to introduce the art of Chris Horner.

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Adam Warwick Hall – Interview

Sculptor Adam Warick Hall caused a stir at the last FLUX Exhibition, selling two of his incredible works before the doors even opened.   FLUX Exhibition is delighted to welcome him back to the next event at Chelsea College of Arts in April 2018.  Read about his work and inspiration below:

Self taught or art school?

My mother was a sculptress, she carved in wood and used clay so I used to learn a little from her as a child but after leaving school I undertook a specific Fine Art Foundation course at Ravensbourne College in Kent and the completed a specific Sculpture Degree course  at The Winchester School of Art.

This included a Term and a bit at the HDK (Hoch Schule der Kunste) in Berlin. I then went on to work as a sculptor in Shepperton and Pinewood studios for Film and TV where I learnt to work with an amazing array of different materials.

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FLUX Artist – Fraser Renton

FLUX Exhibition is delighted to be exhibiting the striking work of artist Fraser Renton at Chelsea College of Arts 12th – 15th April 2018.  Read about his work and inspirations below:

As far back as I can remember I have always had a love for linear geometrics and colour field paintings. I see the world we live in a place full of linear-geometric constructions with enhanced colour vibrancies. My fascination for both these art forms has inspired me for many years, from great artists such as Piet Mondrian, Wassily Kandinsky, Ilya Bolotowsky, Jackson Pollock and Mark Rothko. I feel that many of the works from these fine artists represent some of the most intellectually fascinating and visually stimulating geometric and colour field art ever conceived.

I love abstract in all forms but Digital, Geometric, Hard Edge and Minimalist are what fascinates me the most. Colour field plays a huge part in my experimentation and creation. Focusing on multiple colours, sharp lines, three dimensional shapes and multi layered optical illusions, I prepare my visions digitally, using colour fields and multiple layers, before transferring these creations to ‘one-off’ original pieces. Using acrylic paints on canvas, birch-ply or aluminium surfaces, for me there needs to be an edge to the works, whether that be using gradients, texture or subtleties in the colour. For works that are resin coated, this extra element protects the finished pieces from moisture, heat and physical stress.

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Banker By Day- Artist By Night

‘Dr Jekyll and Mr Hyde’ in its flesh as a financier by day and artist by night, Mihov has developed a hobby that has seen his works placed in front of hundreds of thousands at the London Tube, LA’s Grand Union Station, Forbes Magazine, and galleries from London to Beverly Hills.

Bulgarian born, London settled, Mihov has developed a flair for art as a balancing act to his other life in the square mile. Having started first to ever paint a mere 2 years ago with no prior training, his development has been an exciting journey to witness, encouraged by one of his former banking MDs who was his mentor. Shy of public appearances, he would rather let his art talk about itself.

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Wimbledon Open Studios

Thank you to artist Pedro Sousa Louro for capturing the Wimbledon Art Fair and congratulations on selling all your work displayed at the event!  There is still time to visit.


This November, Wimbledon Art Fair returns for its 25th anniversary with over 150 artists, designers and makers. Formally known as Wimbledon Open Studios, this is the same prodigious event with a new name to reflect the browse and buy focus of these twice yearly art fairs.  This is a truly unique event on the arts calendar and is one of the only free entry fairs in London.

Every visitor is given the rare opportunity to step inside the hidden world of the artist. Over four days, you can walk into paint splattered private working studios and meet the artists and makers behind some of London’s leading contemporary arts and crafts.

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Latest work from ‘Imbue’

Arrives in time for Diabetes Awareness Month

British contemporary artist, Imbue has unveiled his latest work, a piece entitled Always the Real Thing, inspired by the artist’s own struggle with Type 1 diabetes.

Always the Real Thing explores imagery of the Virgin Mary and global brand Coca Cola, with the idea emerging during a particularly difficult bout of low blood sugar. “I envisioned a coke bottle, floating above me like the Virgin Mary,” says Imbue. “It seemed like a very valuable image to capture through my work.” The artist later sketched the image down, and has since forged this initial kernel of an idea into a striking statue, pressure cast with a tinted cola brown resin.

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Call For Artists


Artrooms Roma 2018 takes place at the iconic Church Palace Hotel, right off Via Aurelia in Rome, Italy, from the 2nd March to the 4th March 2018. Over three days, we will host more than 100 artists from all over the world chosen by a prestigious selection committee.

Before applying, you need to understand which is the right section for you:

Video Art
Sculpture Park (Outdoors)

Exhibition Spaces

18/24 sq mtr hotel rooms. Artists are invited to transform the rooms into studios or create an installation and play with the space to highlight their work. You are allowed to do anything that is legal and non-permanent. There are also other exhibition spaces: public areas within the hotel including the main lobby and the park.

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Call For Artists – FLUX

FLUX Exhibition at The Chelsea College of Art 11th – 15th April 2018

The Cookhouse Gallery, The Triangle Space and the Rootstein Parade Ground (facing Tate Britain)

FLUX Exhibition is a ground breaking art event – a collection of the most dynamic painters, sculptors and performance artists which represents an alternative way to encounter today’s best new art.

FLUX has established itself as the platform for contemporary artists to be discovered and to be part of an exceptional, unconventional art event. Hosted by Chelsea College of Arts in London and curated by Lisa Gray, the founder of FLUX, this fifth, much anticipated edition of FLUX brings 90 artists to the fore. Gray has hand selected the very best emerging and established artists for a five-day interactive event.

FLUX opening party comes alive with musical guests, performance art and site specific installations which complement the work and bring a new experimental approach to the exhibition.

The show represents a rare opportunity to gain access to a diverse group of gifted artists, on the path to being the big names of tomorrow, showcasing international talent in a collaborative, curated show. FLUX celebrates dynamic, emerging artists on the precipice of wider accolade and fame.

Founder Lisa Gray has a degree in Business and Economics and an 18 year career as an analyst, Gray brings together her business mind and love of art to create successful exhibitions and projects for all artists involved.

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Diogo Duarte’s Psychological Portraits

Join me next week in seeing the incredible work of Diogo Duarte.  I am exceptionally privileged to own a piece of his incredible art, which hangs in pride and place within my living room.  Come along I promise you will not be disappointed.

London-based Portuguese photographer Diogo Duarte is reinventing the way portraiture can be built into the very essence of a person’s home by putting client self-discovery at the heart of interior design. By combining uniquely personal stories with his lavish and innovative artistic vision, Diogo creates ‘psychological portraits’ that are one of a kind works of art bringing to life what matters most to his clients.

According to Duarte, “My images are my client’s emotions, hopes and dreams splashed on a wall. They are interventions in living environments that provoke conversations about the personality and life story of the person in the portrait”. Internationally renowned photographer David LaChapelle has called Duarte’s work “vibrant, exciting and emotionally powerful”.

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This Is Who I Am – Suzie Pindar


FLUX Exhibition produces large-scale art events that have generated a huge following. They are now delighted to announce an exciting new venture FLUX PRESENTS which will showcase the work of individual or small groups of artists at interesting locations across the UK.

The first FLUX PRESENTS will showcase the edgy work of Suzie Pindar Aka The Naked Artist at a derelict house in South London.

Pindar is an artist that constantly evaluates the world and the wide range of emotions that are evoked from daily life.  Pindar Feels the need to make sense of everything and capture her observations in a way that she can express and later process.

Pindar works on themes that explore memories and moments, happiness, sadness and self-reflection.   First seizing the time with words so that the immediacy and her feelings are captured. Pindar later creates imagery that perfectly evokes her thoughts surrounding her experience.

Today Pindar’s art is much more explorative in the physical sense, she now uses her body much more to express thoughts rather than just using paper, this combination ensures maximum impact and adds a strength and boldness to her work.

Pindar produces Art that does indeed reveal ‘the naked’ truth.  Embracing experiences whether good or bad and documenting them in her bold self-expressive way.  This is work that is honest, that is bursting with feelings and memories, making the ordinary interesting.


Safehouse 1

139 Copeland Road



SE15 3SN

Public 13th – 14th October 11.00 – 18.00

15th October 11.00 – 15.00

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Silvia Berton – Interview

We are delighted to show you the incredible work of Italian photographer Silvia Berton.   Berton once worked as a model but quickly became more creative behind the camera than in front of one.  Her work although often minimal is full of character, strength and narrative.  Images that make you want to linger, reflect upon and soak up their visual impact.  There is an imaginative almost otherworldly effect that leaves a long-lasting impression.  Berton’s compositions set an atmosphere that is beguiling, that draws you in to a story that you are yet to understand.  When looking at her work you feel like you have fallen into someone elses dream, its real without reality, it’s mysterious and passionate and almost always leaves you without telling you the ending.

This is such beautiful, striking work thank you Silvia for sharing with us.

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Alberto García-Alix’s best photograph: self-portrait in a dress made by Elvis

This article titled “Alberto García-Alix’s best photograph: self-portrait in a dress made by Elvis” was written by Interview by Sam Jones, for on Wednesday 23rd August 2017

I had a friend called Elvis who made really beautiful knitted clothes. I’d known her since the end of the 1970s, when Spain had just been freed from Francoism and all the drugs began. She had a band and she was really wild – a true character.

Elvis and I ran into each other again in 1999 or 2000 and I said I would shoot her clothes, which were modelled by friends as there wasn’t much money about. Then I decided to put some of them on and take a picture of myself. I was the only man wearing them. I made up my eyes but I didn’t do my hair – and I had a lot more back then. The power in this picture comes from my hands: they’re clenched and that brings a certain violence.

My face is showing no emotion – since that would make it seem staged. I don’t like dramatising faces: I don’t like to weigh down the mask of the face with smiles or whatever. I can see past the clothes and see myself straight away. It’s one of my best self-portraits and I’ve done hundreds. I’ve taken pictures of myself naked or even masturbating. When it comes to my own camera, I have no shame whatsoever.

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FLUX Presents-The Naked Artist

FLUX PRESENTS ‘This Is Who I Am’ The Naked Artist – Suzie Pindar, Solo Exhibition

13th -15th October 2017

Private View: July 12th October 19.00 – 21.30

FLUX Exhibition produces large-scale art events that have generated a huge following. They are now delighted to announce an exciting new venture FLUX PRESENTS which will showcase the work of individual or small groups of artists at interesting locations across the UK.

The first FLUX PRESENTS will showcase the edgy work of Suzie Pindar Aka The Naked Artist at a derelict house in South London.

Pindar is an artist that constantly evaluates the world and the wide range of emotions that are evoked from daily life.  Pindar Feels the need to make sense of everything and capture her observations in a way that she can express and later process.

read more…

Serpentine pavilion 2017: Francis Kéré’s cool shades of Africa

This article titled “Serpentine pavilion 2017: Francis Kéré’s cool shades of Africa” was written by Rowan Moore, for The Observer on Sunday 25th June 2017 07.00 UTC

“Architecture should give us oxygen,” says Hans Ulrich Obrist, artistic director and rainmaker-in-chief at the Serpentine Galleries in London. He cites a proposal by his hero, the late conceptual architect Cedric Price, for re-oxygenating Manhattan. He also thinks that oxygen is something that is offered at this year’s Serpentine Pavilion, by the Berlin-based architect Francis Kéré.

Kéré first became interested in building as a child, growing up in Burkina Faso, helping his uncle in the demoralising business of restoring mud-built buildings that degraded every year in the rains. He went to Berlin to study, where among other things he encountered the architecture of Mies van der Rohe, who is the first name that comes up when you ask him his inspirations. He studied and measured a little-known Mies-designed house in east Berlin and admired how it was “little but very powerful”. He liked the architect’s “rationality”.

Kéré decided to bring these qualities to his home town of Gando, in Burkina Faso. He wanted to develop ways of building that worked better, without resorting to the expensive and alien techniques of reinforced concrete and air conditioning favoured by investors from outside. In a location that had no electricity, or access to heavy building machinery, he chose to improve traditional methods.

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All that glitters: golden artworks grace Sir Francis Drake’s Devon home

The buccaneering Sir Francis Drake, who liked a bit of gold and glitter, would undoubtedly be pleased to know that the great barn at his old home, Buckland Abbey in Devon, is once again full of wheat – this time towering golden stalks stretching up towards the medieval roof timbers, installed by the artist Andrew Logan.

The real jackdaws perched in the stone windows chatter their delight at the piece, which incorporates giant mirrored butterflies suspended from the rafters, and tiny shimmering field mice climbing the swaying stalks.

The exhibition of Logan’s work, threaded through the house and grounds of the National Trust property, officially opens on 1 July. However, once installed in the huge barn his Goldfield is impossible to conceal: visitors are enchanted, returning repeatedly to sit on the benches and just watch the piece change with the light and shiver in every breeze.

Logan’s sculptures, paintings and jewellery are in many museum and private collections, including the National Portrait Gallery, but his own most famous invention, the camp and glittery Alternative Miss World contest, staged at irregular intervals since 1972, has overshadowed his career.

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Ian Rayer-Smith Solo Exhibition

Award-winning Manchester-based artist Ian Rayer-Smith presents a solo exhibition of new paintings at Zari Gallery from 20 to 29 April 2017.

Strongly influenced by the work of the abstract expressionists and the romantic light of the old masters, Ian Rayer-Smith’s large oil and acrylic paintings effortlessly fuse abstraction, the figurative and the surreal.

Consisting entirely of brand new works produced within the last year, the exhibition explores the very act of painting itself and the process of mark making, which has been man’s most basic form of expression for millennia.

“I like my paintings to carry an emotional charge, not only in its subject matter but also through the energy and visceral nature of the materials I use. Soft and amorphous, they accentuate the tactile feel of nature, avoiding any sense of repetition so as to constantly offer something new
and surprising” Ian Rayer-Smith

Voted one of Manchester’s Top 10 Artists by Manchester Confidential and Winner of the 2014 Warrington Contemporary Prize, Ian Rayer-Smith has been hailed as one of the North’s artists to watch. This is his first solo exhibition in London.

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Mark Youd – Interview

Mark Youd is an artist working in Southerndown, near Cardiff on the South Wales coast. He trained as a draughtsman and, in parallel to a successful career as a designer and technical illustrator, he has developed his personal artistic practice, challenging the traditional approach to portraiture and to painting itself.

His Fragment XIV painting was awarded first prize in Y Galeri Caerffili’s 2016 Open Art competition. The judges made the following comment

Mark uses paint intelligently and creatively, varying the surface textures and marks, building forms which oscillate between the novel and the familiar. The image moves in the viewer’s mind from a pure exploration of oil and acrylic paint, into a more clearly understood organic form and into a fragmented human face, before the quality of the paint and its application return the viewer to an appreciation of the image’s more abstract qualities. Of the three paintings by Mark Youd, Fragment XIV was the image the judges felt best demonstrated these qualities”.

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Statue of suffragist to break male monopoly on Parliament Square

This article titled “Statue of suffragist to break male monopoly on Parliament Square” was written by Mark Brown Arts correspondent, for The Guardian on Thursday 13th April 2017 14.36 UTC

Gillian Wearing is to become the first woman to create a statue for Parliament Square after being commissioned to make one of the suffragist Millicent Fawcett.

The mayor of London, Sadiq Khan, announced that Wearing had been chosen for what will be a “milestone project” to get a woman represented in the UK’s most important public space for recognising past national achievements.

The prime minister, Theresa May, gave her endorsement to a Fawcett statue earlier this month, backing a campaign launched in 2016 by the activist Caroline Criado-Perez.

Khan said: “It’s simply not right that nearly a century after women’s suffrage, Parliament Square is still a male-only zone, and I’m thrilled that this is soon to change thanks to Caroline’s inspired campaign.

“This will be an historic moment for Parliament Square, and it’s fitting that the statue will be created by a world-class artist of Gillian’s calibre.”

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The Naked Artist (Suzie Pindar)- Interview

The Naked Artist (Suzie Pindar) was born in Sheffield in 1978. Pindar attended Chesterfield Art College in 1996-1998 specialising in Fine Art and went on to Study design at Sheffield Hallam University in 2002.

Pindar is a mixed media artist and photographer who has achieved commercial success in both a professional and voluntary capacity. Her unique work has featured in several magazines such as Burning House and The Creative Journal.  Pindar has exhibited widely throughout the UK and has held many solo shows across London.  Pindar has been involved with independent film making enterprises and a variety of photographic projects.

Inspired by life the work Pindar creates is a mix of photography, words and mixed media.  Reflecting her evaluation of the world around her and the wide range emotions that are evoked by everyday life.  Art that does indeed reveal ‘the naked’ truth.  Embracing experiences whether good or bad and documenting them in her bold self expressive way.  This is work that is honest, that is bursting with feelings and memories, making the ordinary interesting.

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Anish Kapoor and Graham MacIndoe: this week’s best UK exhibitions

1 Anish Kapoor

One of our greatest artists, this modern Rubens continues the exploration of colour and its emotional power that started with his early experiments in bright-hued sculptural forms in the 1980s. In his latest works, he plays with the idea of painting in the same way a child might play with a doll – by pulling it apart. Spectacular, intensely vivid, somehow erotic wall works deliberately confuse two dimensions with three and voluptuously celebrate the power of art.
Lisson Gallery, NW1, to 6 May

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National Portrait Gallery buys Tracey Emin’s Death Mask

This article titled “National Portrait Gallery buys Tracey Emin’s Death Mask” was written by Mark Brown Arts correspondent, for The Guardian on Thursday 13th April 2017.

Tracey Emin’s Death Mask has been purchased by the National Portrait Gallery.

The gallery announced on Thursday that it had bought the artwork, a 3D self-portrait cast by Emin in 2002 as an ironic reference to the autobiographical nature of her work.

The mask, which is joining the permanent collection, will initially be part of a small, death-themed temporary display. This includes historic works, such as a 17th-century posthumous portrait of the noblewoman Lady Digby by Van Dyck, and more contemporary pieces, such as the final portrait of the film-maker Derek Jarman, made by Michael Clark in 1993, a year before Jarman’s death.

Emin said she created the mask to offer herself in perpetuity as an enclosed specimen or museum display.

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Pedro Sousa Louro – FLUX

I met Pedro as an artist who was selected to exhibit at the first ever #FLUXExhibition. He has since become a great friend and an even more incredible artist. We are delighted to be showing his work again at the prestigious Chelsea College of Art where he has previously studied.

Pedro Sousa Louro has always lived with cubist images. Pedro transfers his soul to canvas. His work is his way of portraying feelings, emotions and perceptions both consciously and unconsciously. For Pedro art is as natural and needed as food or water. Pedro has studied and continues to study art and art techniques, constantly developing his style. His art shows intensity, a passion and a statement that draws you in and captivates you. His new work encompasses expressions that have been broken up and reassembled in an abstract form, with clear chronological elements aiding the story of his work.

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Chris Ofili: Poolside Magic

Victoria Miro is pleased to announce the opening of a new gallery in Venice. The first exhibition at Victoria Miro Venice will be by Chris Ofili.

Entitled Poolside Magic the exhibition comprises a suite of pastel, charcoal and watercolour works on paper, which are being shown together for the first time. Poolside Magic, in which a man in coat-tails serves a naked woman beside a swimming pool, riffs on themes of sexuality, mutability, magic and the occult, making reference to the vibrant and sensuous landscape and culture of Trinidad, where the artist lives and works. Source material for the series includes a photograph of Trinidadian artist Boscoe Holder (1921 – 2007) at work in his Port of Spain studio. Opening during the Vernissage for the 57th Venice Biennale, the exhibition marks a return to the city for the artist. Ofili represented Britain at the 50th Venice Biennale in 2003, when he presented his ambitious exhibition Within Reach, and in 2015 a suite of Ofili’s paintings were included in All The World’s Futures, the 56th International Art Exhibition of the Venice Biennale, curated by Okwui Enwezor. Chris Ofili’s exhibition Weaving Magic is at the National Gallery, London from 26 April to 28 August 2017.

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Tate Britain to fly the flag for Pride in London

Tate Britain is pleased to announce an exciting new partnership with Pride in London and will officially launch the two-week Pride Festival at Tate Britain on Saturday 24 June.

A day long celebration of the LGBTQ+ community has been planned to coincide with Tate Britain’s exhibition Queer British Art 1861-1967 and will be the special launch event for the Pride in London festival. Tate Britain will also be flying the rainbow flag above the gallery from 5 April, the opening date of Queer British Art, until the end of July.

Pride in London at Tate Britain will run from 2pm to 10pm on 24 June and will explore and celebrate LGBTQ+ through music, performance, talks, tours and film. The event kicks off the two-week festival which culminates in the annual Pride parade, where Tate will have a float.

Clare Barlow, Curator of Queer British Art, said:
‘We are so pleased to work with Pride in London on this fantastic event that celebrates the LGBTQ+ community in London and beyond. It is a great addition to the programme surrounding the Queer British Art exhibition and it will be an amazing opportunity to celebrate the diversity of Queer culture in Tate’s collection.’

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Sabina Pieper FLUX 2017 Artist

FLUX Exhibition are so excited to be welcoming back the unique art of Sabina Pieper to #FLUXExhibition at Chelsea College of Arts London

Sabina works on paper which is a medium best suited to capture the first draft of an idea, i.e. something fleeting and still progressing. Paper therefore offers a surface for an artistic process that is reflected in an immediate way, allowing change and release from rigidity. Sabina uses an array of materials and techniques in each of her paintings. Collage, drawing and painting provide texture, layers and complexity to the surface of each composition in which everyday items such as plastic bags and packaging tape mingle with images found on the internet and in magazines. Like an exquisite game of hide and seek, Sabina creates art work that immediately draws you in, yet keeps you looking. The central figures – powerful women, keenly wrought – invite company, but share the space with creatures and objects from the exotic to the ordinary. These women are not set in a certain time frame but exist eternally. Her unique images invite repeated viewing; inviting and yet challenging, calling and yet creating distance. Analogous of the journey into the unknown, the eternal quest for knowledge or fulfilment, Sabina’s work offers us a unique and compelling vision of the beauty and depth in us all.

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Billie Bond – Solo Exhibition

Inspired by the ancient Japanese art of Kintsugi (the repair of broken ceramics with gold) Bond’s ceramic portraits are sculpted then smashed then painstakingly pieced back together creating a disrupted, different surface that offers new meaning. Exploring the fragility and resilience of the human condition through the violated materiality of the sculpted portrait.

Solo exhibition at Riflemaker London

April 27 – 29  2017

The first solo exhibition of work from artist Billie Bond, Perfect Imperfection: The Art Of Healing, will go on show at Riflemaker in London from April 27 – 29.

Bond aims to cross the boundaries of craft with fine art through her act of making and smashing. The violated materiality of the work comes from a physical destruction. After crafting her ceramic sculptures, Bond destroys them – often recording the act of impact as performance or ‘the journey to enlightenment’ – before the work is painstakingly pieced back together.

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James Virgo – Interview


Virgo came from an engineering background. When he left school at 16 he went straight into foundry work learning how to make sand castings in a small foundry in South East London.  Over the years he worked my way into management working for a couple of larger foundries.

In 1999 Virgo decided to start his own creative casting business making work to clients specifications and also designing and casting his own unique products.  His designs come from life experience, a sight, a smell or even a piece of music that inspires him in his designs.  Virgo has a story for every product idea he has ever made.

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David Booth – FLUX Artist 2017

#FLUXExhibition is so excited to announce David Booth MRBS to Summer FLUX at the prestigious Chelsea College of Arts. Booth will be creating in his unique impactful style a site specific installation.

Booth works on producing a challenging response to material, space, and context. He enjoys responding to the challenge of site-specific projects.

Booth selects processes which require him to make decisions intuitively and instinctively, trusting, evaluating, disrupting, destroying, and constructing. This immersive process consciously and unconsciously absorbs him during the creation of the work. Booth draws on references to growth, journey, escape, time, combining this with transformative use of the material as reference to re-invention, often exploiting the natural association of his chosen material to strengthen the context of the work. Producing the aesthetic of organic movement, fluidity, repetition, layers. Sculptural materials have included 45000 balloons, 100000 beermats, and linoleum.

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Sue Munson – FLUX 2017 Artist

#FLUXExhibition is proud to announce Sue Munson as an exhibiting artist. Read more about Sue below:

I am a Mixed Media Artist whose work shows an experimental and emotional response to the environment in which I am living.

During the ’80s I lived in Canada and the United States, and on my return to the UK I studied Textile Art and Design at Guildford College (Danesfield). After graduating, I found working on canvas was far more exciting and spontaneous than creating on fabric.

It was during the early nineties that I started exploring mark making as an art form.

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John Hobbs – FLUX 2017 Artist

#FLUXExhibition is so happy to announce the superb artist John Hobbs to his 2nd FLUX Exhibition this time at The Chelsea College of Arts. Read more about Hobbs below:

I’m an artist living and working in South London. Largely I paint producing abstract work and portraits. I use oil paints on canvas and also draw and make paintings on paper. In addition I work with wood and have also made tables with a painting as the table top. I sometimes incorporate found objects, both wood and metal. I also source beautiful vintage picture frames which I refurbish and use to frame works on paper.

Be Magnificent – Coming Soon

‘Be Magnificent. Walthamstow School of Art 1957–1967’
William Morris Gallery
9 June 2017 – 10 September 2017
Private View: Thursday 8 June, 7 – 9.30 pm
Admission Free

The William Morris Gallery in partnership with arts agency Create will present a new exhibition that reveals the history of the Walthamstow School of Art, which cultivated some of the most influential creative talent of the 1950s and 1960s. Thanks to support from National Lottery players, ‘Be Magnificent. Walthamstow School of Art 1957–1967’ will present original work created by students and tutors during their time at the School, as well as personal testimony, photographs and archival material, film, music and ephemera from the period. Made possible by a grant of £84,300 from the Heritage Lottery Fund (HLF), the exhibition will include works by leading names in art, fashion, music and film who studied and taught at the School including Pop Artists Sir Peter Blake (b.1932) and Derek Boshier (b.1937), musician Ian Dury (1942–2000), filmmakers Ken Russell (1927–2011) and Peter Greenaway CBE (b.1942), and fashion designers Celia Birtwell CBE (b.1941), Marion Foale (b.1939) and Sally Tuffin (b.1938).

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Amy Carter – FLUX Artist 2017

We are delighted to welcome Amy Carter The Art in Carter to her first #FLUXExhibition Incredible work that we are very excited to be exhibiting. Carter will also be taking part in our
#MiniMasterpieces where she will be selling a smaller work for £300 or less.

As a young child Amy showed exceptional talent in her artistic abilities and she became the youngest person in New Zealand to complete school certificate art at the age of 11. Having completed her art qualifications to the highest school level early, Amy went onto attend Art College and completed an Advanced Diploma in Art & Design with a major in Fine Art.

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Lesley Oldaker – FLUX Artist 2017

#FLUXExhibition is delighted to announce Lesley Oldaker as an exhibiting artist again at the prestigious Chelsea College of Art. Lesley is a UK visual artist, currently living in Zurich, Switzerland.

Lesley has exhibited in the UK, USA ,Switzerland, Slovakia, Italy, India and China, and has work in private collections in UK, USA, Bratislava, China, Australia and India.

Read more about Lesley Oldaker‘s work below:

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Marcus Jake – FLUX Artist 2017

Flux Exhibition are so excited to welcome back the wonderful Marcus Jake to the next FLUX event at the prestigious Chelsea College of Art London! We adore the dark and stunningly beautiful work Marcus creates!

Marcus will be creating an exciting new body of work for our Summer Exhibition.

Marcus Jake is a UK, Bristol & London-based artist. Working in a mixed medium environment, often using photography as the cohesive element.

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Submissions FLUX

Summer FLUX at The Chelsea College of Art 12th – 16th July

The Cookhouse Gallery, The Triangle Space and Outdoor installation in the Parade Ground (facing Tate Britain)

FLUX Exhibition is a groundbreaking and new kind of art event – a collection of the most dynamic painters, performance artists and musicians, which presents an alternative way to encounter today’s best new art.

FLUX has established itself as the platform for contemporary artists to be discovered and to be part of an exceptional, unconventional art event. Hosted by the Chelsea College of Art and curated by Lisa Gray founder of FLUX, this fourth much anticipated edition of FLUX brings 70 artists to the fore. Gray will be selecting the very best emerging talent for a five day interactive art event.

Gray says “FLUX is not a fair or a normal exhibition. FLUX is a unique experience for both artists and art lovers. Each artists work is considered so it does not compete with other work but stands alone and shines in its own light. The support we have gathered since the first exhibition has cemented our place in the contemporary art world and allowed us to continue to be creative.”

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Paul Briginshaw – Interview

Briginshaw studied Fine Art at Northumbria University in Newcastle, graduating with a 2.1 in 2006.  After leaving university Briginshaw lost interest in creating art for several years but thankfully he eventually found his passion again in his late 20’s.

The influences of styles lay softly underneath Briginshaw’s demonstrations of angular representations; his being much more real than the distorted experimentation of many.  Briginshaw has been able to naturally inhabit a style, quickly and effortlessly with his art shining with bold colour and striking compositions.

Dismembered limbs and body parts are all portrayed with Briginshaw’s surrealist edge in an attempt to question the idea of identity, reality, sexuality and the infinite subconscious.  All of Briginshaw’s work is grown from his own anxieties, built from his unique take on the world.  His art is impactful and playful, expressing the spirit of the characters he portrays.

We were so proud to show a collection of Briginshaw’s work at FLUX Exhibition and would urge you to follow this incredible talent! A talent that will be developed and nurtured with love and passion, with the need to create, with the narratives of life spilling onto canvas and the spectacular work that will materialize for us as viewers to linger upon.

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Loredana Denicola – Interview

I first met Denicola at FLUX RCA where she was one of the official photographers.  At the time I had little knowledge of her incredible personal artwork and projects.   Since then I have got to know more about the life explorer and intuitive photographer Loredana Denicola.

Recently I have been interested in the concept of ‘Now’ and minimising past and present as an influence, so reading about Denicola’s discovery of self by identifying unhelpful habits of the mind really struck a chord.  There is without a doubt the sense within her work that she is getting to the real personality of the subject matter rather than the forced or maybe restricted over thinking of many.  There is an enlightened sense of freedom within who she captures, Denicola has an obvious ability to unleash the true personality of the people she photographs.  It is a way to free the personality from the mind, a mind which so often absorbs the negativity of life and judgements.   Denicola provides a picture of humanity stripped bare.

There is compassion in Denicola’s work as a photographer, she reserves any pre conceived ideals and coaxes the inner self of her subjects to question their mind, their being and their inner thoughts.  In doing so she has produced emotive, intriguing, bold, exciting and real depictions of people – all unique and all completely wonderful.

I was delighted to exhibit Denicola’s work at the last FLUX and witness the overwhelming responses to her projects.

I really admire your work, thank you for sharing your thoughts with us.

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Nadia Day – Interview

Nadia Day studied art at the prestigious Knights Park at Kingston University, training under Leo Duff. Following that she gained a BA in Theatre Arts at Birmingham University; worked in TV Production Design and Experiential Marketing; before revisiting her passion for painting.

Nadia works in acrylic on canvas, opting for pallet knives and thick brushstrokes to create bold and energetic impressionistic work. Most of her imagery is of deer in Richmond Park and Bushy Park, her local stomping grounds, plus seascapes from the south coast.

Nadia is currently being represented in London by Wills Art Warehouse Gallery and locally by Handmade Frames and Richmond Hill Bakery where a selection of her paintings are on sale.

Her studio is at home, where she sometimes shares her easel space with her gorgeous son Jasper (there is also a Jemima at home, but luckily she is too young to be painting at present)

Nadia will be exhibiting at FLUX Exhibition in London between the 2nd – 6th November at The Old Truman Brewery.

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James Mortimer – Interview

James Mortimer is a 27-year-old artist and sculptor from Bath.  Described as Dutch master meets Oscar Wilde meets Pete Doherty, his 2015 solo show of paintings at the Catto Gallery in London made such an impact that the Independent’s art critic, Charlotte Cripps, dubbed him ‘one to watch.’

Born and brought up in Swindon, Wiltshire, James has an artistic lineage – most notably, the 18th century painter and etcher, John Hamilton Mortimer.  He studied sculpture at the Bath School of Art and Design under the tutelage of, among others, Gavin Turk, a pioneer of many forms of contemporary British sculpture.  Central to his degree show was a large risqué sculpture of two men and a woman in an act of passion; ‘The Great Penetration’ won him the Kenneth Armitage Prize.

James, who sold his first painting while studying Art and the History of Art at New College in Swindon, has had made a considerable mark on the art world with more than 20 exhibitions at fairs and galleries including Hampstead’s Catto gallery, the James Freeman gallery in Islington and the Accesso gallery in Pietrasanta, Italy.

His provocative style challenges the viewer with images of decadence, aggression, sexuality and fantastical creatures.  His art is inspired by a love of the ridiculous and is the antithesis of the British reserve in which he was brought up.

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Mark Sheeky – Interview

Mark Sheeky was born in 1972 in Crewe, South Cheshire in an average working class family, and educated in a catholic school to an above average but not exceptional level. Always a self-learner, his first passion was computer games, and he taught myself how to program on a home computer, later learning how to write music for his games, before self-publishing his work with limited success! In his early thirties he started to paint oil paintings and he’s now a full time artist.

Mark has one painting in the Cheshire art collection at the Grosvenor Museum, Chester and he has exhibited widely throughout the country, winning the Grosvenor Art Prize in 2013. On his small record label he has released over fifteen music albums in different styles, largely created using software he designed himself, and in 2012 he self-published his first book, an illustrated poetry collection.

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Vojislav Radovanovic – Interview

Vojislav Radovnovic is Serbian painter, TV author and independent filmmaker born in Valjevo, Serbia in 1982. He is engaged with classical painting and drawing and multimedia artistic expression such as installations, video, experimental film. So far, Vojislav Radovanovic exhibited at numerous solo and group exhibitions and festivals in Serbia and worldwide. Vojislav Radovanovic also works as television director and Editor primarily in the field of cultural and artistic programs. Lives and works in Belgrade, Serbia.

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SEAN WORRALL: A Hackney WickED Art Drop


The always rewarding Hackney WickED DIY open studios weekend is upon us once more, studios open and art alive all over the Wick, around Fish Island and happening all over the weekend. All kinds of things going on in the surviving studios and art spaces, performance, painting and lots more, celebrate Hackney Wick while you still can

And once again there will be an art drop from Sean Worrall, last year it was part of the #365ArtDrops piece, the year before it was 100 pieces painted on material found and recycled. This year it will be another in the series of #43 events that have seen things like a 43 minute art shows happen with 43 minutes of warning under railway bridges, drops of 43 pieces of art on the 43rd day (left hanging for people to take), a series of larger (thorny) paintings on sale as a show for just £43, and a series of 43 small canvas paintings at the Art Car Boot Fair..

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Elia Tomás – Interview

Elia Tomás is an incredibly talented artist based in Madrid.  His first memories of art stemmed from his uncle who painted landscapes devoid of a human element yet full of personality.   After years of carrying his uncles artistic influence through a different path including a psychology degree he moved to Madrid and embarked on his own artistic journey.

Unlike his uncle, Elia’s gaze is directed towards a human element and he uses the portrait as a means to develop a narrative of the individual. Real life people end up becoming fragments where he explores vulnerability.  Hence the election of the main characters of his work: men, children and teenagers in a continuous redefinition process. They either look back in time searching for parts of themselves that remain incomplete or live with such an intimate intensity a moment of solitude. They struggle to assert themselves and sometimes to compare to others. They often feel they are victims of certain hormonal euphoria and some degree of disappointment.

We fell in love with Elia’s art, his ability to create different styles of work that showed his range but also his incredible ability to portray the mood and atmosphere of his narratives.  The boldness and passion towards his dominant theme; the contradiction of being a man is always present in his stunning compositions.

This is art you linger on, art that you study, enjoy then come back for more.  Elia is certainly an artist to follow and collect.  Thank you so much Elia for sharing your wonderful work with us!

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Anthony J. Parkè – Interview

Future Reveries: The Paintings of Anthony J. Parkè. An interview conducted by Carl Turner.

It is said the richest place on earth is the cemetery, because it is filled with the unrealised dreams, ideas and aspirations of it’s deceased inhabitants. There is something of that in Anthony J. Parkés’ imaginary worlds. Specifically Parké is interested in an imaginary dimension where ‘unrealised futures’ lay. I interviewed the artist to discover what motivated his latest body of paintings entitled ‘Future Reveries’.

The backstory to Parké’s paintings revolve around his relationship with his elder brother, who was struck down with a mental ailment at a very young age. From this illness came a world of visions and voices which Parké says provoked numerous destructive outbursts over the years.

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Binho Ribeiro – Interview

Binho Ribeiro has been a major part of the street art scene since 1984 and is now a pioneer in Brazil. He has travelled the world painting, becoming a reference of Brazilian street art who influences and mentors many new artists. He has painted in and been exhibited around the world, from Beijing to Beirut, Buenos Aires and Cape Town, to name a few, as well as throughout Brazil.  He has taken part at Graffiti Fine Art in USA and Brasil, and International Biennial GFA, already on the 3rd edition. The launch of his book, “Binho – The International Graffiti Ambassador” by Over the Edge Books, was released in late 2015. Binho’s studio in São Paulo also sells his street wear brand 3º Mundo (3rd World), created out of his passion for hip hop and skateboard.

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Hockney Exhibition – Review

Review by Rosalind Freeborn

David Hockney, RA is about to turn 80 but, judging from his latest show at the Royal Academy in London – 82 Portraits and 1 Still Life, he is showing no signs of slowing down. This collection of portraits fills the Sackler wing at the gallery with the intense colours of California and demonstrates Hockney’s pure joy in the genre. Portraits have been an important part of his work since he graduated from the Royal College of Art in 1962. He says himself, in painting there is only Still Life, Landscape and Portraiture.

Hockney told the curator of this collection, Edith Devaney, “I think I’ve found something that I could go on with forever, because people are fascinating, they’re mysterious really.” After the untimely and tragic death of a young studio assistant in 2013, Hockney withdrew to his Los Angeles studio wondering if he would ever paint again. He felt suddenly moved to make a portrait of his studio manager, head in hands, an anxiously zig-zag carpet at his feet, in a pose which referenced Vincent Van Gogh’s Sorrowing Old Man. “It’s really a self-portrait,” he said. Hockney decided to make more portraits, insisting that visitors to the studio should sit for him, feeling his way towards a template for a series – full figure, all seated in the same white dining chair, painted in bright primary acrylic paint. He decided that each portrait should take no longer than three days to complete – demanding six hours per day for each subject. He viewed each subject carefully, scrutinising the way they arranged themselves in the chair, noting the clothes they chose to wear and devoted the first day of the process entirely to drawing in charcoal. The painting and completion followed over the next two days.

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Ananda Nahu – Interview

Ananda Nahu is one of 5 artists participating in this year’s LATA Street Culture Festival, running 29th June to 2nd July 2016. Including live outdoor painting, music, film and workshops, the festival takes place at Red Gallery and the surrounding neighbourhood.

Ananda Nahu was born in 1985 in Juazeiro, Bahia, painting since 2005. She often creates portraits of African women, children and music symbols, using the bright colours of Brazil, blending stencil techniques with diverse materials such as the traditional fabrics of the North East of Brazil. Humans are the core of her work, sensitive and delicate, respecting the diverse facets of artistic events in human history, and adding vibrant colours and dynamic forms, lending warmth, life, strength and energy to the composition of her works. Ananda exhibits extensively in Brazil and internationally, passing by America, Holland, Germany, France, UK and having many collectors around the world.

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