Mark Youd is an artist working in Southerndown, near Cardiff on the South Wales coast. He trained as a draughtsman and, in parallel to a successful career as a designer and technical illustrator, he has developed his personal artistic practice, challenging the traditional approach to portraiture and to painting itself.
His Fragment XIV painting was awarded first prize in Y Galeri Caerffili’s 2016 Open Art competition. The judges made the following comment
“Mark uses paint intelligently and creatively, varying the surface textures and marks, building forms which oscillate between the novel and the familiar. The image moves in the viewer’s mind from a pure exploration of oil and acrylic paint, into a more clearly understood organic form and into a fragmented human face, before the quality of the paint and its application return the viewer to an appreciation of the image’s more abstract qualities. Of the three paintings by Mark Youd, Fragment XIV was the image the judges felt best demonstrated these qualities”.
This article titled “Statue of suffragist to break male monopoly on Parliament Square” was written by Mark Brown Arts correspondent, for The Guardian on Thursday 13th April 2017 14.36 UTC
Gillian Wearing is to become the first woman to create a statue for Parliament Square after being commissioned to make one of the suffragist Millicent Fawcett.
The mayor of London, Sadiq Khan, announced that Wearing had been chosen for what will be a “milestone project” to get a woman represented in the UK’s most important public space for recognising past national achievements.
The prime minister, Theresa May, gave her endorsement to a Fawcett statue earlier this month, backing a campaign launched in 2016 by the activist Caroline Criado-Perez.
Khan said: “It’s simply not right that nearly a century after women’s suffrage, Parliament Square is still a male-only zone, and I’m thrilled that this is soon to change thanks to Caroline’s inspired campaign.
“This will be an historic moment for Parliament Square, and it’s fitting that the statue will be created by a world-class artist of Gillian’s calibre.”
The Naked Artist (Suzie Pindar) was born in Sheffield in 1978. Pindar attended Chesterfield Art College in 1996-1998 specialising in Fine Art and went on to Study design at Sheffield Hallam University in 2002.
Pindar is a mixed media artist and photographer who has achieved commercial success in both a professional and voluntary capacity. Her unique work has featured in several magazines such as Burning House and The Creative Journal. Pindar has exhibited widely throughout the UK and has held many solo shows across London. Pindar has been involved with independent film making enterprises and a variety of photographic projects.
Inspired by life the work Pindar creates is a mix of photography, words and mixed media. Reflecting her evaluation of the world around her and the wide range emotions that are evoked by everyday life. Art that does indeed reveal ‘the naked’ truth. Embracing experiences whether good or bad and documenting them in her bold self expressive way. This is work that is honest, that is bursting with feelings and memories, making the ordinary interesting.
1 Anish Kapoor
One of our greatest artists, this modern Rubens continues the exploration of colour and its emotional power that started with his early experiments in bright-hued sculptural forms in the 1980s. In his latest works, he plays with the idea of painting in the same way a child might play with a doll – by pulling it apart. Spectacular, intensely vivid, somehow erotic wall works deliberately confuse two dimensions with three and voluptuously celebrate the power of art.
Lisson Gallery, NW1, to 6 May
This article titled “National Portrait Gallery buys Tracey Emin’s Death Mask” was written by Mark Brown Arts correspondent, for The Guardian on Thursday 13th April 2017.
Tracey Emin’s Death Mask has been purchased by the National Portrait Gallery.
The gallery announced on Thursday that it had bought the artwork, a 3D self-portrait cast by Emin in 2002 as an ironic reference to the autobiographical nature of her work.
The mask, which is joining the permanent collection, will initially be part of a small, death-themed temporary display. This includes historic works, such as a 17th-century posthumous portrait of the noblewoman Lady Digby by Van Dyck, and more contemporary pieces, such as the final portrait of the film-maker Derek Jarman, made by Michael Clark in 1993, a year before Jarman’s death.
Emin said she created the mask to offer herself in perpetuity as an enclosed specimen or museum display.