We are delighted to show you the incredible work of Italian photographer Silvia Berton. Berton once worked as a model but quickly became more creative behind the camera than in front of one. Her work although often minimal is full of character, strength and narrative. Images that make you want to linger, reflect upon and soak up their visual impact. There is an imaginative almost otherworldly effect that leaves a long-lasting impression. Berton’s compositions set an atmosphere that is beguiling, that draws you in to a story that you are yet to understand. When looking at her work you feel like you have fallen into someone elses dream, its real without reality, it’s mysterious and passionate and almost always leaves you without telling you the ending.
This is such beautiful, striking work thank you Silvia for sharing with us.
This article titled “Alberto García-Alix’s best photograph: self-portrait in a dress made by Elvis” was written by Interview by Sam Jones, for theguardian.com on Wednesday 23rd August 2017
I had a friend called Elvis who made really beautiful knitted clothes. I’d known her since the end of the 1970s, when Spain had just been freed from Francoism and all the drugs began. She had a band and she was really wild – a true character.
Elvis and I ran into each other again in 1999 or 2000 and I said I would shoot her clothes, which were modelled by friends as there wasn’t much money about. Then I decided to put some of them on and take a picture of myself. I was the only man wearing them. I made up my eyes but I didn’t do my hair – and I had a lot more back then. The power in this picture comes from my hands: they’re clenched and that brings a certain violence.
My face is showing no emotion – since that would make it seem staged. I don’t like dramatising faces: I don’t like to weigh down the mask of the face with smiles or whatever. I can see past the clothes and see myself straight away. It’s one of my best self-portraits and I’ve done hundreds. I’ve taken pictures of myself naked or even masturbating. When it comes to my own camera, I have no shame whatsoever.
FLUX PRESENTS ‘This Is Who I Am’ The Naked Artist – Suzie Pindar, Solo Exhibition
13th -15th October 2017
Private View: July 12th October 19.00 – 21.30
FLUX Exhibition produces large-scale art events that have generated a huge following. They are now delighted to announce an exciting new venture FLUX PRESENTS which will showcase the work of individual or small groups of artists at interesting locations across the UK.
The first FLUX PRESENTS will showcase the edgy work of Suzie Pindar Aka The Naked Artist at a derelict house in South London.
Pindar is an artist that constantly evaluates the world and the wide range of emotions that are evoked from daily life. Pindar Feels the need to make sense of everything and capture her observations in a way that she can express and later process.
This article titled “Serpentine pavilion 2017: Francis Kéré’s cool shades of Africa” was written by Rowan Moore, for The Observer on Sunday 25th June 2017 07.00 UTC
“Architecture should give us oxygen,” says Hans Ulrich Obrist, artistic director and rainmaker-in-chief at the Serpentine Galleries in London. He cites a proposal by his hero, the late conceptual architect Cedric Price, for re-oxygenating Manhattan. He also thinks that oxygen is something that is offered at this year’s Serpentine Pavilion, by the Berlin-based architect Francis Kéré.
Kéré first became interested in building as a child, growing up in Burkina Faso, helping his uncle in the demoralising business of restoring mud-built buildings that degraded every year in the rains. He went to Berlin to study, where among other things he encountered the architecture of Mies van der Rohe, who is the first name that comes up when you ask him his inspirations. He studied and measured a little-known Mies-designed house in east Berlin and admired how it was “little but very powerful”. He liked the architect’s “rationality”.
Kéré decided to bring these qualities to his home town of Gando, in Burkina Faso. He wanted to develop ways of building that worked better, without resorting to the expensive and alien techniques of reinforced concrete and air conditioning favoured by investors from outside. In a location that had no electricity, or access to heavy building machinery, he chose to improve traditional methods.
The buccaneering Sir Francis Drake, who liked a bit of gold and glitter, would undoubtedly be pleased to know that the great barn at his old home, Buckland Abbey in Devon, is once again full of wheat – this time towering golden stalks stretching up towards the medieval roof timbers, installed by the artist Andrew Logan.
The real jackdaws perched in the stone windows chatter their delight at the piece, which incorporates giant mirrored butterflies suspended from the rafters, and tiny shimmering field mice climbing the swaying stalks.
The exhibition of Logan’s work, threaded through the house and grounds of the National Trust property, officially opens on 1 July. However, once installed in the huge barn his Goldfield is impossible to conceal: visitors are enchanted, returning repeatedly to sit on the benches and just watch the piece change with the light and shiver in every breeze.
Logan’s sculptures, paintings and jewellery are in many museum and private collections, including the National Portrait Gallery, but his own most famous invention, the camp and glittery Alternative Miss World contest, staged at irregular intervals since 1972, has overshadowed his career.